Wild Style

Before 'Breakin' and 'Beat Street', there was 'Wild Style' from 1981! This is the templete that started a generation of the hip-hop movement illustrating rappers, grafitti artists, and breakdancing from the Bronx, New York. It's a low-budget gritty feature with great insight on the culture. Another honable mention is 'Style Wars' and of course, 'Krush Groove' from 80s hip-hop films. A must have!

Wild Style is not a documentary, despite what it may look like from packaging or even camerawork. It's a pretty slow-moving story of a man who writes on walls and his girlfriend's alleged infidelity with another man who writes on walls. While this love triangle is being played out, there is a journalist woman who wants to find out about a new sub-culture that is happening in the Bronx. There is also a musical event being planned in the amphitheatre in the park to showcase the local musical talent.If you were reading the synopsis to this film anywhere, it would probably read something like that. But Wild Style isn't about the story. It's not about the acting, the direction or even the camerawork or sound recording (although the soundtrack is important).It is a film that has shaped a generation, purely with the members of the cast and the records used in the soundtrack. Wild Style is a historical document. It perfectly captures a time and place - the Bronx, New York 1982 - and most of the figures that made that time and place so special. The plot is merely a device with which to string along a series of scenes of rappers, DJs, B-boys and spraycan artists. Some of these people were the roots of the hip hop movement. To see the impact that this film has had, look at how many times the soundtrack has been sampled - not only the dialogue (Tommy Tee, Beastie Boys, Cypress Hill, DJ Premier) but the backing loops. 'Tracks' such as Down By Law have become standards - no, classics - in battle cyphers and old school hip hop nights all over the world.It's basically a visual dictionary of Old School hip hop royalty -* GrandMaster Flash in what looks suspiciously like his bedroom cutting up the Headhunters' "God Made Me Funky" and then Bob James' "Take Me To The Mardi Gras" (although on the UK video re-release it has been replaced on the soundtrack with a Chris Stein co-produced track from the OST).* The Rock Steady Crew intercut with Flash, walking up the hill in the park with a roll of lino on their shoulders.* Fab 5 Freddy as the svengali of the film, leading others into the realms of the hip hop landscape (and hustling other members of the cast for money with card tricks).* The Cold Crush Brothers and the Fantastic (Romantic) MCs in the basketball court.* Double Trouble on the stoop ("Here's a little story that must be told...").* 'Lee' Quinones and Lady Pink doing their thang on the walls of NYC - Lee's 'hands' piece being done at the same time as the RSC break and GM Flash cuts.But enough of my salivating. This film is a slice of history for hip hop fans as much as footage of the 1966 World Cup Final is for British football fans. It should really be watched along with two other essential old school hip hop films - Beat Street (1984) and Beat This - A Hip Hop History (a BBC-TV film, 1985). Watching all three of those in one is an absolute education for anyone out there who has even a passing interest in hip hop (or even just rap) music. As a film, OK, it's limited and trite. The plot is pretty much non-existent and the acting is pretty variable. But no-one should watch it for that. Its whole reason d'etre is to provide an overview of a time and a place, when hip hop was innocent and a way of life, instead of a calculated business venture.Beat Street was a bigger budget version of Wild Style, even down to the big name guest stars, the graffiti-artist-being-thwarted theme and the big show at the end of the film. It's easier to watch, but doesn't have that raw, cinema-verite style that Wild Style has.Some trivia on the film. Chris Stein from Blondie co-produced he backing soundtracks that the MCs rap over. The records that the DJs use were pressed in very VERY limited quantities, and were not the result of crate digging. They were made for the film... According to popular legend, the opening scene of the (graffiti) bombing of the train was the only scene that Charlie Ahearne - director - could get the money together to do 'properly' (ie legally). If the rumours are to believed, the rest of the film was done 'on the run' - without permission.If you like hip hop, are interested in it or even if you have never really thought about it, then watch Wild Style. It sums up a place and time and a FEELING quite unlike anything else. Now hip hop is the world's biggest selling music, watch this film to see where it came from. It'll probably make you reach for the nearest tracksuit, Kangol and lino and have you down the park in a fit of nostalgia.

I bought several hip hop DVDs over the years from amazon, and wild style is a must for any hip-hop enthusiasts, practitioner or pure fan. Some of the dancers in this film are actually dear personal friends of mine as I am the dancer myself and have had the privelage to understudy with some of greats, so watching them on film is always a joy. I still have the original VHS tape from my childhood, so I wanted the professional DVD video with this special features. And so I added this to my collection.

One of the only two real hiphop films of the early era that was true to the essence of b-boys and b-girls mind state during the early 80's. Of course there was always the Hollywood thrown in there at times, but you can see where Beat Street took a lot from Wild Style. I love both movies because there are not - to my knowledge - any others that give a sense of what it was about during a pre-hiphop time. For me, it was about being a B-Boy and this was a way of dress, style and attitude that incorporated the various elements of what would later become known as hiphop. Back then, you were either a B-boy or B-girl. Whenever I watch it, I always wonder about the people who were not in the film? They did get a lot right with Cold Crush, DST, Theodore, Flash, Rock Steady etc... not as a critique, just the true story behind who they wanted in the film and who appeared and why? Always a true classic that I will watch when I'm 70!

So funkyWhat Bootsy said? To the bridge mother!B-Side, rock onB-Side, rock on

I had heard many sound bites taken from this film in rap songs and was happy to finally see it for myself. But the historical significance of this movie is undeniable. Featuring some of the founders of hip-hop in the fairly early stages of it's creation and many great visual shots of graffiti art in it's prime. The acting and story line is far from extraordinary and the lyrical rhymes were nothing compared to the poetry yet to come. Still, this movie captures a time and culture that no other does. Plus the anniversary edition has some good extras on it that expands the story of this cult classic.

I was a sophomore in High School in New York City when Wild Style came out and watching it takes me back to a time when hip hop was just so much better than the noise being created today. At age 15 we were allowed to go to venues such as the Roxy and Harlem world and we grew up seeing the pioneers before they went big time. As a former DJ my genre of hip ho is strictly OLD SCHOOL rap and it was a time when the vocals were simpler and easier to digest compared to the like of little wayne etc. Movies like Wild Style and Beat Street will never grow old for me because every time I watch it, it brings back those magical days.As a person who grew up in Hollis, Queens and East Harlem, I can say with confidence that everything about the movie was accurate. Thank You Amazon for adding my favorite vintage hip hop movie which takes first place followed by Beat Street, and then Krush Groove. I sometimes feel sorry for the youth of today because as they age, they will not have much to look back on when it comes to music.

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