![A.I. Artificial Intelligence [DVD] [2001]](https://m.media-amazon.com/images/I/71hWGf7kXwL._AC_SL3840_.jpg)


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DVD Special Features Documentary on bringing AI to the screen Interviews with Steven Spielberg, Haley Joel Osment and Jude Law Newly produced behind-the-scenes featurettes on the making of AI An interview with Sound Designer Gary Rydstrom at Skywalker Ranch A visit to Stan Winston Studios with early "Teddy" footage Interviews with Lucasfilm's ILM special effects group Trailers, storyboards, drawings and hundreds of photos approved by Steven Spielberg for this release Interactive menus Scene access And much, much more! Languages: Audio Dolby Digital 5.1 English, French, Italian Subtitles: English, French, Italian, Dutch, Arabic, Spanish, Portuguese, German, Romanian, Bulgarian Hearing Impaired: English, Italian Widescreen 1.85:1 History will place an asterisk next to A.I. as the film Stanley Kubrick might have directed. But let the record also show that Kubrick--after developing this project for some 15 years--wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio , claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brain Aldiss short story "Supertoys Last All Summer Long" ) after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home. Echoes of Spielberg's Empire of the Sun are evident as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchio intensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I. into even deeper realms of wonder, just as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I. , a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. -- Jeff Shannon, desertcart.com On the DVD: A perfect movie for the digital age, A.I. finds a natural home on DVD. The purity of the picture, its carefully composed colour schemes and the multifarious sound effects are accorded the pin-point sharpness they deserve with the anamorphic 1.85:1 picture and Dolby 5.1 sound, as is John Williams's thoughtful music score . On the first disc there's a short yet revealing documentary, "Creating A.I. ", but the meat of the extras appears on disc two. Here there are good, well-made featurettes on acting, set design, costumes, lighting, sound design, music and various aspects of the special effects: Stan Winston's remarkable robots (including Teddy, of course) and ILM's flawless CGI work. In addition there are storyboards, photographs and trailers. Finally, Steven Spielberg provides some rather sententious closing remarks ("I think that we have to be very careful about how we as a species use our genius"), but no director's commentary. -- Mark Walker Review: David's odyssey - This is a review of the two disc dvd edition of the movie. As ever the desertcart system will link all the reviews of various formats together into one, so apologies if you read this on the blu ray page. A.I. is a science fiction movie which had a few big names involved in it's genesis. Based on a short story called 'Super toys last all summer long' by the writer Brian Aldiss. Which was a long gestating project for director Stanley Kubrick. Which director Stephen Spielberg brought to the screen in the end. As with most films of short stories, it takes the basic idea and plot of the original and does lots of it's own things to get it to movie length. But does still keep the theme and idea intact. In the near future, the world is a bit different following ecological disaster. Robots and androids are now prevalent. David [Hayley Joel Osment] is an android child. And a rather special one. First of a new kind. Who can be programmed to love. unconditionally. Taken in by a family whose son is no longer with them, David loves his new mother very much. But when her biological son returns, there's only room for one child in the household. Abandoned, David sets out on a quest to become real. Thinking that if he is, then his mother will love him again. A remarkable odyssey awaits... A.I. is a film that tries to do many things. And succeeds very well at all. Near future science fiction should create a world that is still recognisable as one not desperately far removed from our own, but still different at the same time. This certainly does that. It also considers some of the big questions of stories about robotics. Such as what is real life and is the mechanically created kind any different really? It gets all this in in a manner that doesn't lecture, and leaves you food for thought. Doing this by making the main artificial characters very strong, well acted and likeable. Hayley Joel Osment does a great job in the lead at making David likeable, and also convincingly not quite human at the same time. He gets great support from Jude Law as android Gigolo Joe. And Teddy, a CGI created teddy bear with a wonderful voice, some great acting from the voice actor for the part making him old and worldy wise. David's quest takes in some fantastical locations, and memorable set pieces. But it never loses focuses. Never slipping away from him and always keeping the focus firmly on him and his desire. Which, even though we know it can't happen, is never not touching anyhow. This leads to an ending that you won't forget for quite a while. If at all. This is a twelve certificate film because some of it may be too disturbing for the younger viewers, such as the emotional moments and some rather strong imagery of robotic destruction. But it's a film that does it's director proud. A very memorable bit of science fiction movie making, and a film well worth a watch. The dvd has the following language and subtitle options: Languages: English, French, Italian. Subtitles: English, French, Italian, Dutch, Arabic, Spanish, Portugese, German, Romanian, Bulgarian. The two disc edition, coming from an age when dvd buyers got lots of extras, contains quite a few features about the film: Acting AI; A portrait of David. A portrait of Gigolo Joe. Nine and six mins respectively in length, both about the two lead roles and stars. Designing AI: From drawings to set [seven mins] and dressing AI [five mins]. Lighting AI: Four minutes all about the lighting. Special effects. Seven minutes about those. Robots of AI; thirteen minutes on the acting production and visuals for these. Animation: A five minute overview of this. The robots: three mins on these. The miniatures: Four mins on these. Sea scene: two mins on this. Animating: eight more mins about it. Sound and music of AI: Six mins on the sound design and five on the score. Closing: Steven Spielberg on our responsibility to artificial intelligence. Two mins, over which the production credits for the extras play, of Steven Spielberg making some good points about our relationship with technology. Then there's the AI archives: Two of the film's trailers. Three storyboards. Seven sets of drawings from one designers portfolio. Nine more from the production design portfolio. Six more sets of other production designs. Two sets of behind the scenes photos and the production. All the above are viewed by using the main keys on the dvd remote to move left or right through the pictures. There's also the filmography of the eight main cast members. And the filmography of many involved with the production. So if you like extras, or remember two disc dvds as they used to be, it's the edition to get. Review: DVD collection - New DVD for our collection, very good film
| Contributor | April Grace, Bonnie Curtis, Brian Aldiss, Clark Gregg, Eugene Osment, Frances O'Connor, Haley Joel Osment, Ian Watson, Jake Thomas, Jan Harlan, Jude Law, Kathleen Kennedy, Ken Leung, Kevin Sussman, Sam Robards, Steven Spielberg, Tom Gallop, William Hurt Contributor April Grace, Bonnie Curtis, Brian Aldiss, Clark Gregg, Eugene Osment, Frances O'Connor, Haley Joel Osment, Ian Watson, Jake Thomas, Jan Harlan, Jude Law, Kathleen Kennedy, Ken Leung, Kevin Sussman, Sam Robards, Steven Spielberg, Tom Gallop, William Hurt See more |
| Customer Reviews | 4.6 out of 5 stars 640 Reviews |
| Format | PAL, Subtitled |
| Genre | Science Fiction & Fantasy |
| Language | English |
| Manufacturer | Warner Home Video |
| Number of discs | 2 |
| Runtime | 2 hours and 25 minutes |
P**R
David's odyssey
This is a review of the two disc dvd edition of the movie. As ever the amazon system will link all the reviews of various formats together into one, so apologies if you read this on the blu ray page. A.I. is a science fiction movie which had a few big names involved in it's genesis. Based on a short story called 'Super toys last all summer long' by the writer Brian Aldiss. Which was a long gestating project for director Stanley Kubrick. Which director Stephen Spielberg brought to the screen in the end. As with most films of short stories, it takes the basic idea and plot of the original and does lots of it's own things to get it to movie length. But does still keep the theme and idea intact. In the near future, the world is a bit different following ecological disaster. Robots and androids are now prevalent. David [Hayley Joel Osment] is an android child. And a rather special one. First of a new kind. Who can be programmed to love. unconditionally. Taken in by a family whose son is no longer with them, David loves his new mother very much. But when her biological son returns, there's only room for one child in the household. Abandoned, David sets out on a quest to become real. Thinking that if he is, then his mother will love him again. A remarkable odyssey awaits... A.I. is a film that tries to do many things. And succeeds very well at all. Near future science fiction should create a world that is still recognisable as one not desperately far removed from our own, but still different at the same time. This certainly does that. It also considers some of the big questions of stories about robotics. Such as what is real life and is the mechanically created kind any different really? It gets all this in in a manner that doesn't lecture, and leaves you food for thought. Doing this by making the main artificial characters very strong, well acted and likeable. Hayley Joel Osment does a great job in the lead at making David likeable, and also convincingly not quite human at the same time. He gets great support from Jude Law as android Gigolo Joe. And Teddy, a CGI created teddy bear with a wonderful voice, some great acting from the voice actor for the part making him old and worldy wise. David's quest takes in some fantastical locations, and memorable set pieces. But it never loses focuses. Never slipping away from him and always keeping the focus firmly on him and his desire. Which, even though we know it can't happen, is never not touching anyhow. This leads to an ending that you won't forget for quite a while. If at all. This is a twelve certificate film because some of it may be too disturbing for the younger viewers, such as the emotional moments and some rather strong imagery of robotic destruction. But it's a film that does it's director proud. A very memorable bit of science fiction movie making, and a film well worth a watch. The dvd has the following language and subtitle options: Languages: English, French, Italian. Subtitles: English, French, Italian, Dutch, Arabic, Spanish, Portugese, German, Romanian, Bulgarian. The two disc edition, coming from an age when dvd buyers got lots of extras, contains quite a few features about the film: Acting AI; A portrait of David. A portrait of Gigolo Joe. Nine and six mins respectively in length, both about the two lead roles and stars. Designing AI: From drawings to set [seven mins] and dressing AI [five mins]. Lighting AI: Four minutes all about the lighting. Special effects. Seven minutes about those. Robots of AI; thirteen minutes on the acting production and visuals for these. Animation: A five minute overview of this. The robots: three mins on these. The miniatures: Four mins on these. Sea scene: two mins on this. Animating: eight more mins about it. Sound and music of AI: Six mins on the sound design and five on the score. Closing: Steven Spielberg on our responsibility to artificial intelligence. Two mins, over which the production credits for the extras play, of Steven Spielberg making some good points about our relationship with technology. Then there's the AI archives: Two of the film's trailers. Three storyboards. Seven sets of drawings from one designers portfolio. Nine more from the production design portfolio. Six more sets of other production designs. Two sets of behind the scenes photos and the production. All the above are viewed by using the main keys on the dvd remote to move left or right through the pictures. There's also the filmography of the eight main cast members. And the filmography of many involved with the production. So if you like extras, or remember two disc dvds as they used to be, it's the edition to get.
P**S
DVD collection
New DVD for our collection, very good film
M**E
TEDDY WANTED
This collaboration between Stephen Spielberg and the late Stanley Kubrick must be one of the more eagerly anticipated movies of recent years. It brings together the vision of two cinematic geniuses; Kubrick, a Director intent on examining the human psyche and Speilberg, a master of modern American cinema, who instinctively seems to know what his audience wants. Apparently good friends until Kubrick's death a couple of years back, this was a project they had been discussing filming for the previous ten years but is it any good? And has Spielberg succeeded in blending the seemingly poles apart vision of Kubrick with his own cinematic style? The answer is mostly yes and partly no. AI is a sentimental romantic sci-fi odyssey and it's also one of the saddest films in years. In an overpopulated world where the polar ice caps have melted, births are rationed to one per couple. When parents Monica and Henry Swinton's (Frances O'Connor & Sam Robards) son is apparently lost in an endless coma they are selected for the 'adoption' of David (Hayley Joel Osment) an experimental 'mecha' (robot) child. Initially David's prospective mother is freaked out by the idea but whilst still grieving for her apparently lost son, she soon becomes attached to David and takes the option of permanently encoding his circuits so that he will forever be tied to his mother. Everything seems to be going swimmingly only for the son Martin (Jake Thomas) to unexpectedly awake from his coma, which leads to David becoming a victim of his new brother's cruelty, his parents fears and now surplus to their requirements. Dumped into the wilderness with his super-toy Teddy, he goes on the run with Gigolo Joe (Jude Law) a robo-rent-boy also on the lam after being framed for the hotel-room murder of one of his clients. David begins a Pinocchio type voyage of discovery in the hope of becoming a real boy and being reunited with his mother. Personally, I thought this was an excellent film and I have been quite shocked and surprised at some of the very harshly critical reviews I've read in the UK's broadsheet newspapers. A.I. may not perfect by any means but I found it to be an extremely thought provoking, moving and in turns incredibly beautiful and incredibly sad film. Whilst visually very much a Spielberg movie both visually (comparisons can be drawn in style to both Close Encounters and ET) and narratively (he unusually takes a screenplay credit), the Kubrick influences are clearly in evidence in the somewhat cold and sterile beginning and the intellectualised Pinocchio themed (what is the essence of humanity) backdrop of the movie. It's a movie about love that is at times in a very Kubrickian manner, cold to the touch. The CGI in this movie is nothing short of excellent and must have had ILM working overtime. Among the robots or 'mechas' on show here are men and women with seamless half faces, eyeless sockets and heads that split open to show the androids inner workings. Also one of the most exciting and best things about the movie was Teddy, who was not just David's friend but also formed the true moral centre of the film. The effects were tremendous and if ever they can really invent such a toy, everybody will want one. Contrary to one review I read about the child acting being "some of the sickliest ever filmed" I think that Hayley Joel Osment (The Sixth Sense) was once again superb and I do not believe I have ever seen a more talented child actor. I'm also a big fan of Jude Law but one of my few criticisms of the film would have to be aimed at his character Gigolo Joe. Whilst I don't feel that there was anything wrong with Jude's acting, I did find Gigolo Joe at times irritating, such as when he tweaks his head to create his own supposedly romantic (but in actuality mood killing) music soundtrack. It could also be argued that much of Spielberg's vision of the future was contradictory and dated with three wheeled cars, overpopulated cities, a drowned New York but leafy countrysides but to be honest that is probably nit-picking. It would also be fair to say that A.I. has an overlong ending, with a bit of a tagged on feel, which is a little too saccharine sweet (a Spielberg weakness). However, coming so soon after September 11th the final sequence set in a future New York city flooded by melted ice-caps, with the Manhattan skyline reduced to bungalows in the sea and the Statue of Liberty's hand poking up through the waves was incredibly pertinent, incredibly moving and incredibly surreal. It was almost as if Spielberg had somehow foreseen some incredible tragedy and this was his portrayal of Manhattan in a vale of tears. Whilst not Spielberg's best work, it's certainly not that far off and maybe if Kubrick had been around to oversee production we would have had a masterpiece. Although, what Spielberg has given us is a movie which is disturbing, perplexing and incredibly sad. If you're not moved then you haven't got a heart.
R**M
So realistic
Wonderful masterpiece of a movie made by Haley, He preforms as if he was really a boy instead of a robot. Yes one movie that you can sit and watch in total relaxation and greatly enjoy. A fabulous storyline and the cast are fantastic. I was really in deep with this show that other things could wait, so from the beginning to the end, a packed fast action and suspense edge of the seat entertainment that has you glued to the television not wanting to move, A story about a robot made in the near future that lives in a world of anti robots that get pulled apart and destroyed, so when he is kicked out of his home because of their child a boy who recovers from a coma, teaches him things he can't do and must not do. To keep the peace between them she releases him into the world on his own with teddy another robot item to take care of him. After he is programmed to their lives the clock starts ticking and there is no way back for him so to go on and find his dream of being a family again. I rated this an A grade plus for marvelous entertainment so what are you waiting for go get the popcorn and put your feet up and entwine in a grand movie fit for a king. Enjoy!
M**L
Spielberg's Ai.I is as good as it should be
I'll keep this brief as I am sure I could write an essay on this vmoie, but I'll put this simply - Kubrick wanted A.I to be directed by Spielberg because it looked like the material was something that was appeal to Spielbergs softer touches. Yet whn Spielberg actually finishes it in his own way, he is criticsed for not ending it in Kubricks harsher way? Give me a break - don't listen to what people say about the ending - the last 20 mins were unbelievable and beautiful. This is a fairy tale - forget the realism of the whole thing and enjoy it with your heart and mind for the first couple of hours and then especially use your heart for the last 20. And you are left with one superb fairy tale that honesty says a lot more about humanity and life than many more serious pieces. A.I is probably the biggest mistake critics have made in their so called 'pro' reviews and solely because it was a Kubrick work directed by Spielberg. If Spielberg had made the whole thing, people would be singing his praises but this whole issue of two directors thoughts clashing ahs resulted in critics deriding his work with the whole 'Kubrick would have done, done that' factor. But if *only* one was to see the movie like I did, with the directors completely out of my mind, the fairy tale in front of me and my humanity there fully in tact, you would see just how unbelievable A.I is. If you are prepared to do it, get ready for an unbelievable experience. If you are however of a critical mind, ready to tear this piece apart and every point that you feel is 'unrealistic' or 'directed wrongly', save yourself a time and dont bother with it. Also this movie is one that can be discussed for such a long time after.. truly thought provoking.
C**1
One For All E.T. Lovers
From Stanley Kubrick and Steven Spielberg, very emotive science fiction story about a robot child wanting to be a real human. A great cast, including Jude Law, William Hurt, Haley Joel Osment. Many reviewers rate this film as one of the best films ever. Set in the future, global warming has caused the ice caps to melt, flooding many cities, causing the eventual restriction on how many children can be born, and a robotics engineer comes up with what could be a solution
A**R
Spielberg filming & producing a Kubrick project
This is a "tour de force" in special effects, mixed with good old cinema knowhow. The result is stunning at times and the young actor, Haley Joel Smith, playing the prototype robot David, excels in that role. William Hurt & Brendan Gleeson both appear in smaller parts, Jude Law as Gigolo Joe and Frances O'Connor as the "mother," are the other 2 main characters; all are excellent. This disc comes absolutely packed with extras, only a commentary track from Spielberg "is missing."
A**3
Is it a Spielberg film or is it a Kubrick film?
A sad film that seems to be based on a future that's looking like it could well come to pass. Haley Joel Osment deserved an Oscar for this performance. The film does not reflect well on humans and their treatment of mecha/robots, there's not a single human in the film that deserves our sympathy. I'll not give much away about the film as it needs to be watched but it looks great on the blu-ray format, listen out for the amazing score from John Williams.
B**N
Touchant et laisse rรฉveur
Ce films nous montre que les robots vont nous survivre et c'est dans pas grand temps , et qu'ont aura la chance d'avoir des servents , et des intervenants robotisรฉe << Les riches et peut รชtre les autres, moi inclus par la suite >> espรฉront qu'ils ne serviront pour la guerre ???
Q**R
Still full of wonder as when I first saw it. Destined to be a classic
Amazing film that still holds it's own after all these years. Seeing the Twin Towers locked in ice with the Manhattan skyline 2000 years into the future was a haunting vision of what will never be. My eyes still grow damp at the end when Monica and David have their one perfect day together and she falls forever asleep. Jude Law is excellent as Gigolo Joe. If you liked him in GATTICA you will like this film. HIGHLY RECOMMENDED
S**H
A.I BLU RAY
J'avais le Dvd je voulais absolument le Blu Ray trรจs beau film
A**R
The modern pinocchio
Beautifuly done movie by Steven Spielberg! This is the modern day pinocchio, a Mecha (robot) who wants to be loved by a mother who lost her real son.. he was programmed to have emotion and pain. It's an incredible adventure, unbelieveable ending.. I love it.
A**R
Recommend
Recommend
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