--- product_id: 13337356 title: "The Bastard of Istanbul" price: "€ 35.14" currency: EUR in_stock: true reviews_count: 9 url: https://www.desertcart.it/products/13337356-the-bastard-of-istanbul store_origin: IT region: Italy --- # The Bastard of Istanbul **Price:** € 35.14 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** The Bastard of Istanbul - **How much does it cost?** € 35.14 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.it](https://www.desertcart.it/products/13337356-the-bastard-of-istanbul) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description desertcart.com: The Bastard of Istanbul: 9780143112716: Shafak, Elif: Books Review: A dialogue of spirits of Turks and Armenians - A 19-year-old Turkish Istanbuli girl oblivious to the past and nearly suffocated by her overdevoted relatives, meets a 19-year-old Armenian-American girl obsessed by the past and nearly suffocated by her own overdevoted relatives; the first discovers a past that has been suppressed, and the second learns to partially free herself from the past and savor the present. This is an artfully constructed book with two contrary agendas, both essential, but not entirely comfortable with one another. First, the literary agenda: The quirks, foibles and virtues of a large number of complex characters, understandable even when not exactly lovable, are described in rich and vivid language, their personal dramas interwoven and mostly resolving in surprising and satisfying ways. The literary ambition is signaled in the opening chapter -- the sounds and sensations of rush hour in Istanbul in a rainstorm, and the furious and impious thoughts of young Zeliha as she hurries through the broken streets to a critical appointment, are delightful, frightening and hilarious, and will be unforgettable. And then we meet the other badly split family of the Armenian American girl, and then back to Zeliha and her three sisters, each eccentric in a different way, and her mother and grandmother living in sweet but comical confusion. But there is another agenda, political and didactic: Elif Shafak wants us to face a terrible tragedy -- the killings and deportations of Armenians in 1915 -- and to help all of us, but especially Armenians and Turks, to come to mutual comprehension and forgiveness today. The contemporary Turks of the novel (and, I think, in reality) have no problem whatever with their Armenian compatriots. None of Zeliha's friends thinks it remarkable that her lover, Arman, is Armenian; for them, "Armenian" is just another variety of Turk. But when Zeliha's now 19-year-old daughter Asya introduces her new friend Amy -- or Armanoush -- to her friends in the bar as an Armenian American, they are suddenly on the alert. "Now the word Armenian wouldn't surprise anyone at Café Kundera, but Armenian American was a different story. Armenian Armenian was no problem -- similar culture, similar problems -- but Armenian American meant someone who despised the Turks." As Asya begins to tell the tragedy of Armanoush's Istanbulite family, the execution of her great grandfather because he was an intellectual, one of the drinkers at the table blurts out, "That didn't happen." The problem is that Armenians in the diaspora cannot forget their terrible history, while Turks cannot remember it or, if they have even thought about it, accept a version where both sides did awful things and nobody now is to blame -- 1915 was a long before they were born, Turkey was a different country, and none of that has anything to do with them. But Shafak insists that it does have to do with them, because until Turks recognize and acknowledge the pain of the Armenians they are in effect accomplices of a massive cover-up. But on the other side, would Armenians in the diaspora ever accept any reasonable concessions or admissions by the Turks? When Armanoush gets Asya to take part in an on-line forum of Armenian Americans, one of them immediately demands that she as a Turk recognize the genocide. The young but well-read Asya writes back, "Genocide is a heavily loaded term... It implies a systematic, well-organized, and philosophized extermination. Honestly, I am not sure the Ottoman state at the time was of such a nature. But I do recognize the injustice that was done to the Armenians. I am not a historian. My knowledge is limited and tainted, but so is yours." And then she asks, "Tell me, what can I as an ordinary Turk in this day and age do to ease your pain?" And the Armenian Americans, never before confronted by such a question, have no plausible answer. Apologize, says one after a long pause. For something she had no part of? Get the Turkish state to apologize, demands another. But how could she get the Turkish state to do anything? But then another Armenian American forum member joins in, one who calls himself "Baron Baghdassarian" and whom we have been taught to expect to be wiser than the others, and surprises everyone by typing: "Well, the truth is... some among the Armenians in the diaspora would never want the Turks to recognize the genocide. If they do so, they'll pull the rug out from under our feet and take the strongest bond that unites us. Just like the Turks have been in the habit of denying their wrongdoing, the Armenians have been in the habit of savoring the cocoon of victimhood. Apparently, there are some old habits tht need to be changed on both sides." And whether or not you believe that a real Armenian American might write that in an on-line forum, it is clearly the opinion of Elif Shafak. The on-line forum allows Shafak to introduce political discourse by characters who have no existence beyond their cyber presence. And to describe events for which there is no human testimony, an ancient djinni who has been magically enslaved by Zeliha's eldest sister, the clairvoyant Banu, gives his eye-witness account. In this literary tale all the decisive actors (actresses) are women and the men, whether comical, sympathetic or pathetic, are necessary but secondary figures like Poins or Bardolph in Henry IV, useful for displaying some aspect of the more complex (and always female) protagonists. That for me was one of the pleasures of the book, allowing me to enter the consciousness of so many and such complex girls and women. The blatantly political segments interrupt the flow of the other, literary story, sometimes jarring the reader's willingness to believe. But they enable Shafak to describe that terrible history. The book is charming, sometimes stunningly beautiful, often outrageously funny, sometimes deeply sad. And because of its political content, it is also a very brave book. Elif Shafak knew she was taking a major risk when she published the original version in Turkish, that she would offend powerful members of the state and risk imprisonment. And I imagine that her version of events will also greatly offend members of the Armenian diaspora, for the very reason "Baron Baghdassarian" expounded. And for all these reasons, it's a book we need to read. Review: Colourful and exotic ... Istanbul and one of it's families spring to life - This is a great read ... Full of colourful characters and wonderful descriptions of Istanbul itself ( which is so well described it's actually like another character itself ) ... Despite the fact that it is set in a traditional muslim city this family are not a run of the mill family .... For a start all the men are dead ( by 51 !!) Each sister , their mother and their grandmother are fantastic characters , full of interesting , and often hilarious ,quirks ... The story line is simple enough , the story of several generations of a family but the interest of the reader is sustained by the fabulously colourful descriptions of the people in this family and the interconnections between them , finally despite the exotic location it turns out teenagers are the same the world over ! ... Read this and you'll see what I mean ... ## Technical Specifications | Specification | Value | |---------------|-------| | Best Sellers Rank | #132,256 in Books ( See Top 100 in Books ) #98 in Cultural Heritage Fiction #757 in Contemporary Literature & Fiction #1,595 in Literary Fiction (Books) | | Customer Reviews | 4.1 4.1 out of 5 stars (5,090) | | Dimensions | 5.47 x 0.83 x 8.39 inches | | Edition | Reprint | | ISBN-10 | 0143112716 | | ISBN-13 | 978-0143112716 | | Item Weight | 11.8 ounces | | Language | English | | Print length | 360 pages | | Publication date | January 29, 2008 | | Publisher | Penguin Books | | Reading age | 18 years and up | ## Images ![The Bastard of Istanbul - Image 1](https://m.media-amazon.com/images/I/71t0IpHWrrL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ A dialogue of spirits of Turks and Armenians *by G***X on January 20, 2013* A 19-year-old Turkish Istanbuli girl oblivious to the past and nearly suffocated by her overdevoted relatives, meets a 19-year-old Armenian-American girl obsessed by the past and nearly suffocated by her own overdevoted relatives; the first discovers a past that has been suppressed, and the second learns to partially free herself from the past and savor the present. This is an artfully constructed book with two contrary agendas, both essential, but not entirely comfortable with one another. First, the literary agenda: The quirks, foibles and virtues of a large number of complex characters, understandable even when not exactly lovable, are described in rich and vivid language, their personal dramas interwoven and mostly resolving in surprising and satisfying ways. The literary ambition is signaled in the opening chapter -- the sounds and sensations of rush hour in Istanbul in a rainstorm, and the furious and impious thoughts of young Zeliha as she hurries through the broken streets to a critical appointment, are delightful, frightening and hilarious, and will be unforgettable. And then we meet the other badly split family of the Armenian American girl, and then back to Zeliha and her three sisters, each eccentric in a different way, and her mother and grandmother living in sweet but comical confusion. But there is another agenda, political and didactic: Elif Shafak wants us to face a terrible tragedy -- the killings and deportations of Armenians in 1915 -- and to help all of us, but especially Armenians and Turks, to come to mutual comprehension and forgiveness today. The contemporary Turks of the novel (and, I think, in reality) have no problem whatever with their Armenian compatriots. None of Zeliha's friends thinks it remarkable that her lover, Arman, is Armenian; for them, "Armenian" is just another variety of Turk. But when Zeliha's now 19-year-old daughter Asya introduces her new friend Amy -- or Armanoush -- to her friends in the bar as an Armenian American, they are suddenly on the alert. "Now the word Armenian wouldn't surprise anyone at Café Kundera, but Armenian American was a different story. Armenian Armenian was no problem -- similar culture, similar problems -- but Armenian American meant someone who despised the Turks." As Asya begins to tell the tragedy of Armanoush's Istanbulite family, the execution of her great grandfather because he was an intellectual, one of the drinkers at the table blurts out, "That didn't happen." The problem is that Armenians in the diaspora cannot forget their terrible history, while Turks cannot remember it or, if they have even thought about it, accept a version where both sides did awful things and nobody now is to blame -- 1915 was a long before they were born, Turkey was a different country, and none of that has anything to do with them. But Shafak insists that it does have to do with them, because until Turks recognize and acknowledge the pain of the Armenians they are in effect accomplices of a massive cover-up. But on the other side, would Armenians in the diaspora ever accept any reasonable concessions or admissions by the Turks? When Armanoush gets Asya to take part in an on-line forum of Armenian Americans, one of them immediately demands that she as a Turk recognize the genocide. The young but well-read Asya writes back, "Genocide is a heavily loaded term... It implies a systematic, well-organized, and philosophized extermination. Honestly, I am not sure the Ottoman state at the time was of such a nature. But I do recognize the injustice that was done to the Armenians. I am not a historian. My knowledge is limited and tainted, but so is yours." And then she asks, "Tell me, what can I as an ordinary Turk in this day and age do to ease your pain?" And the Armenian Americans, never before confronted by such a question, have no plausible answer. Apologize, says one after a long pause. For something she had no part of? Get the Turkish state to apologize, demands another. But how could she get the Turkish state to do anything? But then another Armenian American forum member joins in, one who calls himself "Baron Baghdassarian" and whom we have been taught to expect to be wiser than the others, and surprises everyone by typing: "Well, the truth is... some among the Armenians in the diaspora would never want the Turks to recognize the genocide. If they do so, they'll pull the rug out from under our feet and take the strongest bond that unites us. Just like the Turks have been in the habit of denying their wrongdoing, the Armenians have been in the habit of savoring the cocoon of victimhood. Apparently, there are some old habits tht need to be changed on both sides." And whether or not you believe that a real Armenian American might write that in an on-line forum, it is clearly the opinion of Elif Shafak. The on-line forum allows Shafak to introduce political discourse by characters who have no existence beyond their cyber presence. And to describe events for which there is no human testimony, an ancient djinni who has been magically enslaved by Zeliha's eldest sister, the clairvoyant Banu, gives his eye-witness account. In this literary tale all the decisive actors (actresses) are women and the men, whether comical, sympathetic or pathetic, are necessary but secondary figures like Poins or Bardolph in Henry IV, useful for displaying some aspect of the more complex (and always female) protagonists. That for me was one of the pleasures of the book, allowing me to enter the consciousness of so many and such complex girls and women. The blatantly political segments interrupt the flow of the other, literary story, sometimes jarring the reader's willingness to believe. But they enable Shafak to describe that terrible history. The book is charming, sometimes stunningly beautiful, often outrageously funny, sometimes deeply sad. And because of its political content, it is also a very brave book. Elif Shafak knew she was taking a major risk when she published the original version in Turkish, that she would offend powerful members of the state and risk imprisonment. And I imagine that her version of events will also greatly offend members of the Armenian diaspora, for the very reason "Baron Baghdassarian" expounded. And for all these reasons, it's a book we need to read. ### ⭐⭐⭐⭐ Colourful and exotic ... Istanbul and one of it's families spring to life *by O***B on July 15, 2015* This is a great read ... Full of colourful characters and wonderful descriptions of Istanbul itself ( which is so well described it's actually like another character itself ) ... Despite the fact that it is set in a traditional muslim city this family are not a run of the mill family .... For a start all the men are dead ( by 51 !!) Each sister , their mother and their grandmother are fantastic characters , full of interesting , and often hilarious ,quirks ... The story line is simple enough , the story of several generations of a family but the interest of the reader is sustained by the fabulously colourful descriptions of the people in this family and the interconnections between them , finally despite the exotic location it turns out teenagers are the same the world over ! ... Read this and you'll see what I mean ... ### ⭐⭐⭐⭐⭐ A family tree intertwined with common roots and a suspenseful truth! *by D***V on February 2, 2024* Beautiful written, poignant family story spanning family histories narrated through the lens of two teenagers, one in America and the other in Turkey. Very underrated book with a suspenseful climax, which was hard to guess. Might find it slow in the beginning, but that’s the charm of a slow burn. I followed this book after Forty Rules of Love and Island of Missing trees and found it most provocative and endearing at the same time. ## Frequently Bought Together - The Bastard of Istanbul - The Forty Rules of Love: A Novel of Rumi - The Architect's Apprentice: A Novel --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.it/products/13337356-the-bastard-of-istanbul](https://www.desertcart.it/products/13337356-the-bastard-of-istanbul) --- *Product available on Desertcart Italy* *Store origin: IT* *Last updated: 2026-05-09*